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Film,
Stage Star Barbara Bel Geddes dies
of lung cancer

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The
daughter of Norman Bel Geddes, the noted architect and theatrical
set designer, Barbara Bel Geddes was a professional stage
actress from age 18. She gained prominence as the ingenue
in the original Broadway production of that summer-stock
perennial Out of the Frying Pan. Among many accomplishments
in Barbara's years on stage included the New York critics
circle award in 1945.
1922-2005
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The
San Francisco Chronicle said Bel Geddes, a longtime smoker, died
Monday of lung cancer at her home in Northeast Harbor, Maine. Jordan-Fernald
Funeral Home in Mount Desert, Maine, confirmed the death Wednesday,
but owner Bill Fernald said the family asked that no further information
be given out.
By
BOB THOMAS, Associated Press Writer, Wed Aug 10, 4:35 PM ET
Bel Geddes was
nominated for an Academy Award for best supporting actress for the
1948 drama "I Remember Mama" and was the original Maggie
the Cat on Broadway in "Cat on a Hot Tin Roof."
But she was
best known as the matriarch of the rambunctious Ewing oil family
on "Dallas," which hurtled to the top of the ratings despite
negative reviews. Bel Geddes won an Emmy in 1980 as best lead actress
in a drama series and remains the only nighttime soap star to be
so honored.
"She was
the rock of 'Dallas,'" Larry Hagman, who played J.R. Ewing,
told The Associated Press. "She was just a really nice woman
and a wonderful actress. She was kind of the glue that held the
whole thing together."
Bel Geddes called
"Dallas "real fun," but it was also marked by tragedy.
In 1981, Jim Davis, who played Miss Ellie's husband, Jock Ewing,
died.
"It was
like losing her own husband again," said "Dallas"
producer Leonard Katzman. "It was a terribly difficult and
emotional time for Barbara."
In March 1984,
Bel Geddes was stricken with a major heart attack. Miss Ellie was
played by Donna Reed for six months, then Bel Geddes returned to
"Dallas," remaining until 1990, a year before CBS canceled
the show.
Hagman said
he had encouraged Bel Geddes to give up the smoking habit, but it
was doctors who got her to quit after the heart attack, he said.
He recalled the makeup room on the "Dallas" set as being
so filled with her cigarette smoke that he would ask to be made
up in his dressing room.
Of the lung
cancer deaths of Peter Jennings and Bel Geddes, Hagman said: "I
hope it's a wake-up call to a lot of people."
"Dallas"
came late in her career. She had retired to take care of her husband,
Windsor Lewis, after he fell ill with cancer in 1966. He died in
1972.
Her earnings
depleted by his long illness, she found work scarce for a middle-aged
actress and said she was "flat broke" in 1978 when she
accepted the role as Miss Ellie.
In 1945, Bel
Geddes made a splash on Broadway at 23 with her first important
role in "Deep Are the Roots," winning the New York Drama
Critics Award as best actress.
She announced
to a reporter: "My ambition is to be a good screen actress.
I think it would be much more exciting to work for Frank Capra,
George Cukor, Alfred Hitchcock or Elia Kazan than to stay on Broadway."
Hollywood was
quick to notice. In 1946 she signed a contract with RKO that granted
her unusual request to be committed to only one picture a year.
In her first movie she costarred with Henry Fonda in "The Long
Night," a disappointing remake of a French film.
Her second film
was a hit playing a budding writer in George Stevens' "I Remember
Mama," the touching story of an immigrant family in San Francisco
starring Irene Dunne as Mama. With her delicate features and patrician
manner, Bel Geddes became a popular leading lady in films.
"I went
out to California awfully young," she remarked. "I remember
Lillian Hellman and Elia Kazan telling me, 'Don't go, learn your
craft.' But I loved films." After four movies, Howard Hughes,
who had bought control of RKO in 1948, dropped her contract because
"she wasn't sexy enough."
Bel Geddes was
devastated. But it turned out to be a good happenstance. She had
time to return to the stage, and she scored a triumph in 1955 as
Maggie the Cat in Tennessee Williams' "Cat on a Hot Tin Roof."
Yet her biggest
Broadway success was "Mary, Mary," a frothy marital comedy
by Jean Kerr, which opened in 1961 and ran for more than 1,500 performances.
In her film
career, Bel Geddes was able to work with great filmmakers such as
Kazan ("Panic in the Streets") and Alfred Hitchcock ("Vertigo").
She also costarred with Danny Kaye in "The Five Pennies"
and with Jeanne Moreau in "Five Branded Women."
"By Love
Possessed" in 1961 was her last film for 10 years. She made
her final films in 1971 — "Summertree" and "The
Todd Killings."
Among Bel Geddes'
other major theater credits were roles in Terence Rattigan's "The
Sleeping Prince" (1956); Robert Anderson's "Silent Night,
Holy Night" (1959), which co-starred Henry Fonda; and Edward
Albee's "Everything in the Garden" (1967). She was born
in New York City on Oct. 31, 1922, the daughter of renowned industrial
designer Norman Bel Geddes.
"I didn't
see much of my father," she said, "but I absolutely adored
him." After her education in private schools, he found her
a job at a summer theater and used his connections with stage people
to help her get work.
Early in her
stage career Bel Geddes married Carl Schreuer, an electrical engineer,
and they had a daughter, Susan. The marriage ended after seven years
in 1951, and that year she married director Lewis. They had a daughter,
Betsy.
___
Associated Press
writers Clarke Canfield in Portland, Maine, Michael Kuchwara in
New York, and Lynn Elber in Los Angeles contributed to this report.
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